Vande Maataram (IAST:Vande Mātaram, also pronounced Bande Maataram; বন্দে মাতরম্, Bônde Mātôrôm transl. Mother, I bow to thee) is a poem written in highly sanskritized Bengali by Bankim Chandra Chatterjee in 1870s, which he included in his 1882 Bengali novel Anandamath. The poem was first sung by Rabindranath Tagore in the 1896 session of the Indian National Congress. The first two verses of the song were adopted as the National Song of India in October 1937 by the Congress Working Committee prior to the end of colonial rule in August 1947. An ode to the Motherland, it was written in Bengali script in the novel Anandmath. The title 'Vande Mataram' means "I praise to motherland, Mother". The "mother goddess" in later verses of the song has been interpreted as the motherland of the people –– Banga Mata (Mother Bengal) and Bharat Mata (Mother India), though the text does not mention this explicitly. It played a vital role in the Indian independence movement, first sung in a political context by Rabindranath Tagore at the 1896 session of the Indian National Congress. It became a popular marching song for political activism and Indian freedom movement in 1905. Spiritual Indian nationalist and philosopher Sri Aurobindo referred it as "National Anthem of Bengal". The song and the novel containing it was banned by the colonial government, but workers and the general public defied the ban (with many being imprisoned repeatedly for singing it in public); with the ban being overturned by the Indian government after the country gained independence from colonial rule in 1947. On 24 January 1950, the Constituent Assembly of India has adopted "Vande Mataram" as national song. On the occasion, the first President of India, Rajendra Prasad stated that the song should be honoured equally with the national anthem of India, "Jana Gana Mana". However the Constitution of India does not have any mention of "national song". The first two verses of the song are an abstract reference to mother and motherland, they do not mention any Hindu deity by name, unlike later verses that do mention goddesses such as Durga. There are 65 seconds of circumstantial specification for the rendition of this song unlike the national anthem "Jana Gana Mana" that specifies 52 seconds. The root of the Sanskrit word Vande is Vand, which appears in Rigveda and other Vedic texts. According to Monier Monier-Williams, depending on the context, vand means "to praise, celebrate, laud, extol, to show honour, do homage, salute respectfully", or "deferentially, venerate, worship, adore", or "to offer anything respectfully to". The word Mātaram has Indo-European roots in mātár- (Sanskrit), méter (Greek), mâter (Latin) which mean "mother". The first two verses of Vande Mataram adopted as the "National Song" read as follows: বন্দে মাতরম্৷ Bônde mātôrôm वन्दे मातरम्। vande mātaram The complete original lyrics of the Vande Mataram are available at Vande Mataram – via Wikisource.. বন্দে মাতরম্ ৷ Bande Mātaram. वन्दे मातरम् The first translation of Bankim Chandra Chattopadhyay's novel Anandamath, including the poem Vande Mataram, into English was by Nares Chandra Sen-Gupta, with the fifth edition published in 1906 titled "The Abbey of Bliss". Here is the translation in prose of the above two stanzas rendered by Sri Aurobindo Ghosh. This has also been adopted by the Government of India's national portal. The original Vande Mataram consists of six stanzas and the translation in prose for the complete poem by Shri Aurobindo appeared in Karmayogin, 20 November 1909. Mother, I bow to thee! Apart from the above prose translation, Sri Aurobindo also translated Vande Mataram into a verse form known as Mother, I praise thee!. Sri Aurobindo commented on his English translation of the poem that "It is difficult to translate the National Song of India into verse in another language owing to its unique union of sweetness, simple directness and high poetic force." Vande Mataram has inspired many Indian poets and has been translated into numerous Indian languages, such as Tamil, Telugu, Kannada, Odia, Malayalam, Assamese, Hindi, Marathi, Gujarati, Punjabi Urdu and others. Arif Mohammad Khan translated Vande Mataram in Urdu. It can be read in Urdu (Devanagari script) as: तस्लीमात, माँ तस्लीमात Bankim Chandra Chatterjee was one of the earliest graduates of the newly established Calcutta University. After his BA, he joined the colonial government as a civil servant, becoming a Deputy Collector and later a Deputy Magistrate. Chattopadhyay was very intereste in recent events in Indian and Bengali history, particularly the Revolt of 1857 and the previous century's Sanyasi Rebellion. Around the same time, the administration was trying to promote "God Save the Queen" as the anthem for Indian subjects, which Indian nationalists disliked. It is generally believed that the concept of Vande Mataram came to Bankim Chandra Chattopadhyay when he was still a government official, around 1876. He wrote Vande Mataram at Chinsura(Chuchura), there is a white colour house of Adhya Family near river Hooghly (near Mallik Ghat).[citation needed] Chattopadhyay wrote the poem in a spontaneous session using words from Sanskrit and Bengali. The poem was published in Chattopadhyay's book Anandamath (pronounced Anondomôţh in Bengali) in 1882, which is set in the events of the Sannyasi Rebellion. Jadunath Bhattacharya was asked to set a tune for this poem just after it was written. "Vande Mataram" was one of the most popular songs of protest during the Indian independence movement. The colonial government in response banned the book and made the recital of the song in public a crime. The colonial government imprisoned many independence activists for disobeying the order, but workers and general public repeatedly violated the ban many times by gathering together in the presence of colonial officials and singing it. Rabindranath Tagore sang Vande Mataram in 1896 at the Calcutta Congress Session held at Beadon Square. Dakhina Charan Sen sang it five years later in 1901 at another session of the Congress at Calcutta. Poet Sarala Devi Chaudurani sang the song in the Benares Congress Session in 1905. Lala Lajpat Rai started a journal called Vande Mataram from Lahore. Hiralal Sen made India's first political film in 1905 which ended with the chant. Matangini Hazra's last words as she was shot to death by the Crown police were Vande Mataram. In 1907, Bhikaiji Cama (1861–1936) created the first version of India's national flag (the Tiranga) in Stuttgart, Germany, in 1907. It had Vande Mataram written on it in the middle band. A book titled Kranti Geetanjali published by Arya Printing Press (Lahore) and Bharatiya Press (Dehradun) in 1929 contains first two stanzas of this lyric on page 11 as Matra Vandana and a ghazal (Vande Mataram) composed by Bismil was also given on its back, i.e. page 12. The book written by the famous martyr of Kakori Pandit Ram Prasad Bismil was proscribed by the colonial government.[citation needed] Mahatama Gandhi supported adoption and the singing of the Vande Mataram song. In January 1946, in a speech in Guwahati (Assam), he urged that "Jai Hind should not replace Vande-mataram". He reminded everyone present that Vande-mataram was being sung since the inception of the Congress. He supported the "Jai Hind" greeting, but remanded that this greeting should not be to the exclusion of Vande Mataram. Gandhi was concerned that those who discarded Vande Mataram given the tradition of sacrifice behind it, one day would discard "Jai Hind" also. Parts of the Vande Mataram was chosen as the national song in 1937 by the Indian National Congress as it pursued the independence of India from colonial rule, after a committee consisting of Maulana Azad, Jawaharlal Nehru, Subhash Bose, Acharya Deva and Rabrindanath Tagore recommended the adoption. The entire song was not selected by Hindu leaders in order to respect the sentiments of non-Hindus, and the gathering agreed that anyone should be free to sing an alternate "unobjectionable song" at a national gathering if they do not want to sing Vande Mataram because they find it "objectionable" for a personal reason. According to the gathered leaders, including the Nobel Laureate Rabindranath Tagore, though the first two stanzas began with an unexceptionable evocation of the beauty of the motherland, in later stanzas there are references to the Hindu goddess Durga. The Muslim League and Muhammad Ali Jinnah opposed the song. Thereafter, with the support of Mahatma Gandhi and Jawahar Lal Nehru, the Indian National Congress decided to adopt only the first two stanzas as the national song to be sung at public gatherings, and other verses that included references to Durga and Lakshmi were expunged. Rajendra Prasad, who was presiding the Constituent Assembly on 24 January 1950, made the following statement which was also adopted as the final decision on the issue: ...The composition consisting of the words and music known as Jana Gana Mana is the National Anthem of India, subject to such alterations in the words as the Government may authorise as occasion arises; and the song Vande Mataram, which has played a historic part in the struggle for Indian freedom, shall be honoured equally with Jana Gana Mana and shall have equal status with it. (Applause). I hope this will satisfy the Members. The poem has been set to a large number of tunes. The oldest surviving audio recordings date to 1907, and there have been more than a hundred different versions recorded throughout the 20th century. Many of these versions have employed traditional South Asian classical ragas. Versions of the song have been visualised on celluloid in a number of films, including Leader, Amar Asha, and Anand Math. It is widely believed that the tune set for All India Radio station version was composed by Ravi Shankar. Hemant Kumar composed music for the song in the movie Anand Math in 1952 Many singers like Lata Mangeshkar, K.S.Chithra sung made it cult classic. In 2002, BBC World Service conducted an international poll to choose ten most famous songs of all time. Around 7000 songs were selected from all over the world. Vande Mataram, from the movie Anand Math, was ranked second. All India Radio's version and some other versions are in Desh raga. In July 2017, the Madras High Court ruled that the Vande Mataram shall be sung or played at least once a week in all schools, universities and other educational institutions of Tamil Nadu. The Court also ruled that the song should be played or sung in government offices and industrial facilities at least once a month. Vocals Debate
National song of IndiaLyrics Bankim Chandra Chatterjee, Anandamath (1882) Music Hemanta Mukherjee, Jadunath Bhattacharya Adopted 24 January 1950 Contents
Bengali script Bengali phonemic transcription Devanagari script IAST transliteration
সুজলাং সুফলাং
মলয়জশীতলাম্
শস্যশ্যামলাং
মাতরম্!
বন্দে মাতরম্৷.
শুভ্র-জ্যোৎস্না
পুলকিত-যামিনীম্
ফুল্লকুসুমিত
দ্রুমদলশোভিনীম্,
সুহাসিনীং
সুমধুরভাষিণীম্
সুখদাং বরদাং
মাতরম্৷৷
বন্দে মাতরম্৷
sujôlāng suphôlāng
môlôyôjôshītôlām
shôsyô shyāmôlāng
mātôrôm
bônde mātôrôm
shubhrô jyotsnā
pulôkitô jāminīm
phullô kusumitô
drumôdôlôshobhinīm
suhāsinīng
sumôdhurôbhāshinī
sukhôdāng bôrôdāng
mātôrôm
bônde mātôrôm
सुजलाम् सुफलाम्
मलयजशीतलाम्
शस्यश्यामलाम् मातरम्।
वन्दे मातरम्।
शुभ्रज्योत्स्नाम्
पुलकितयामिनीम्
फुल्लकुसुमित
द्रुमदलशोभिनीम्
सुहासिनीम्
सुमधुर भाषिणीम्
सुखदाम् वरदाम्
मातरम्।।
वन्दे मातरम्।
vande mātaram
sujalāṃ suphalāṃ
malayajaśītalām
śasyaśyāmalāṃ
mātaram
vande mātaram
śubhrajyotsnām
pulakitayāminīm
phullakusumita
drumadalaśobhinīm
suhāsinīṃ
sumadhura bhāṣiṇīm
sukhadāṃ varadāṃ
mātaram
vande mātaram Lyric
বন্দে মাতরম্ (Bengali Script) Latin transliteration (IAST) वन्दे मातरम् (Devanagari transliteration)
সুজলাং সুফলাং
মলয়জশীতলাম্
শস্যশ্যামলাং
মাতরম্ !
শুভ্র-জ্যোত্স্না-পুলকিত-যামিনীম্
ফুল্লকুসুমিত-দ্রুমদলশোভিনীম্,
সুহাসিনীং সুমধুরভাষিণীম্
সুখদাং বরদাং মাতরম্ ৷৷
সপ্তকোটীকন্ঠ-কল-কল-নিনাদকরালে,
দ্বিসপ্তকোটীভুজৈধৃতখরকরবালে,
অবলা কেন মা এত বলে !
বহুবলধারিণীং
নমামি তরিণীং
রিপুদলবারিণীং
মাতরম্ ৷
তুমি বিদ্যা তুমি ধর্ম্ম
তুমি হৃদি তুমি মর্ম্ম
ত্বং হি প্রাণাঃ শরীরে ৷
বাহুতে তুমি মা শক্তি,
হৃদয়ে তুমি মা ভক্তি,
তোমারই প্রতিমা গড়ি মন্দিরে মন্দিরে ৷
ত্বং হি দুর্গা দশপ্রহরণধারিণী
কমলা কমল-দলবিহারিণী
বাণী বিদ্যাদায়িণী
নমামি ত্বাং
নমামি কমলাম্
অমলাং অতুলাম্,
সুজলাং সুফলাং
মাতরম্
বন্দে মাতরম্
শ্যামলাং সরলাং
সুস্মিতাং ভূষিতাম্
ধরণীং ভরণীম্
মাতরম্ ৷
Sujalāṃ suphalām
Malayajaśītalām
Śasyaśyāmalām
Mātaram.
Śubhra-jyotsnā-pulakita-yāminī
Phullakusumita-drumadalaśobhinī,
Suhāsinīṃ sumadhurabhāṣinīm
Sukhadāṃ baradāṃ Mātaram.
Saptakoṭīkanṭha-kala-kala-ninādakarāle
Dbisaptakoṭībhujaidhṛtakharakarabāle,
Abalā kena mā eta bale!
Bahubaladhārinīṃ
Namāmi tarinīṃ
Ripudalabārinīṃ
Mātaram.
Tumi bidyā tumi dharma
Tumi hrṛdi tumi marma
Tbaṃ hi prānāḥ śarīre.
Bāhute tumi mā śakti,
Hṛdaye tumi mā bhakti,
Tomārai pratimā gaṛi mandire mandire.
Tbaṃ hi Durgā daśapraharanadhārinī
Kamalā kamala-dalabihārinī
Bānī bidyādāyinī
Namāmi tbaṃ
Namāmi kamalām
Amalāṃ atulām,
Sujalāṃ suphalām
Mātaram
Bande Mātaram
Śyāmalām saralām
Susmitām bhūṣitām
Dharanīṃ bharanīṃ
Mātaram.
सुजलां सुफलाम्
मलयजशीतलाम्
शस्यश्यामलाम्
मातरम्।
शुभ्रज्योत्स्नापुलकितयामिनीम्
फुल्लकुसुमितद्रुमदलशोभिनीम्
सुहासिनीं सुमधुर भाषिणीम्
सुखदां वरदां मातरम्।।
सप्त-कोटि-कण्ठ-कल-कल-निनाद-कराले
द्विसप्त-कोटि-भुजैर्धृत-खरकरवाले,
अबला केन मा एत बॅले
बहुबलधारिणीं
नमामि तारिणीं
रिपुदलवारिणीं
मातरम्।।
तुमि विद्या, तुमि धर्म
तुमि हृदि, तुमि मर्म
त्वम् हि प्राणा: शरीरे
बाहुते तुमि मा शक्ति,
हृदये तुमि मा भक्ति,
तोमारई प्रतिमा गडी मन्दिरे-मन्दिरे।।
त्वम् हि दुर्गा दशप्रहरणधारिणी
कमला कमलदलविहारिणी
वाणी विद्यादायिनी,
नमामि त्वाम्
नमामि कमलाम्
अमलां अतुलाम्
सुजलां सुफलाम्
मातरम्।।
वन्दे मातरम्
श्यामलाम् सरलाम्
सुस्मिताम् भूषिताम्
धरणीं भरणीं
मातरम्।।
Rich with thy hurrying streams,
Bright with thy orchard gleams,
Cool with the winds of delight,
Dark fields waving, Mother of might,
Mother free.
Glory of moonlight dreams,
Over thy branches and lordly streams,
Clad in thy blossoming trees,
Mother, giver of ease,
Laughing low and sweet,
Mother, I kiss thy feet,
Speaker sweet and low,
Mother, to thee I bow. [Verse 1]
Who hath said thou art weak in thy lands,
When the swords flash out in seventy million hands,
And seventy million voices roar
Thy dreadful name from shore to shore?
With many strengths who art mighty and strong,
To thee I call, Mother and Lord!
Thou who savest, arise and save!
To her I cry who ever her foemen drove
Back from plain and Sea
And shook herself free. [Verse 2]
Thou art wisdom, thou art law,
Thou art heart, our soul, our breath
Thou art love divine, the awe
In our hearts that conquers death.
Thine the strength that nerves the arm,
Thine the beauty, thine the charm.
Every image divine.
In our temples is but thine. [Verse 3]
Thou art Goddess Durga, Lady and Queen,
With her hands that strike and her swords of sheen,
Thou art Goddess Kamala (Lakshmi), lotus-throned,
And Goddess Vani (Saraswati), bestower of wisdom known
Pure and perfect without peer,
Mother lend thine ear,
Rich with thy hurrying streams,
Bright with thy orchard gleams,
Dark of hue O candid-fair [Verse 4]
In thy soul, with jewelled hair
And thy glorious smile divine,
Loveliest of all earthly lands,
Showering wealth from well-stored hands!
Mother, mother mine!
Mother sweet, I bow to thee,
Mother great and free! [Verse 5] Translation into other languages
तू भरी है मीठे पानी से
फल फूलों की शादाबी से
दक्खिन की ठंडी हवाओं से
फसलों की सुहानी फ़िज़ाओं से
तस्लीमात, माँ तस्लीमात
तेरी रातें रौशन चांद से
तेरी रौनक सब्ज़-ए-फ़ाम से
तेरी प्यार भरी मुस्कान है
तेरी मीठी बहुत ज़ुबां है
तेरी बांहों में मेरी राहत है
तेरे क़दमों में मेरी जन्नत है
तस्लीमात, माँ तस्लीमातComposition
Indian independence movement
Debate on adoption as national song of India
"varadāṃ"
"O my own land,
O my dear land,
O my dear land,
A land bedecked with gentle streams,
A land that adorned with heavenly beauty,
It is such a motherland." – Lakshminath Bezbarua, Translated into English by A Mazumdar{{cite web}}
: CS1 maint: url-status (link) Wikisource has original text related to this article:
